Britanski romantizam: poezija

Nastavnici

• Martina Dominesizv. prof.dr.sc.(Nositelj)

Cilj

Sadržaj

1. Uvod u književnost engleskog romantizma - povijesni kontekst.
2. William Blake – odabir pjesama iz zbirke Songs of Innocence and Experience
3. Blake – “The Marriage of Heaven and Hell”
4. William Wordsworth – Predgovor Lirskim baladama i odabir pjesama iz Lirskih balada
5. Wordsworth nastavak: odabir pjesama iz zbirke Poems in Two Volumes
6. Wordsworth nastavak – The Prelude (odabrani dijelovi)
7. Samuel Taylor Coleridge – ulomci iz Biographie Literarie
8. Coleridge nastavak – “The Rime of the Ancient Mariner”, “Dejection: an Ode”, “Kubla Khan”
9. kolokvij
10. George Gordon Byron – ulomci iz Childe Harold’s Pilgrimage
11. Byron nastavak – ulomci iz Don Juana , “Prometheus”, “Fare Thee Well”
12. Percy Bysshe Shelley – “Ozymandias”, “Ode to the West Wind”
13. Shelley nastavak– “To a Skylark”, ulomci iz “A Defence of Poetry”, “Prometheus Unbound”
14. John Keats: “To Autumn”, “La Belle Dame Sans Merci”; “Ode to a Nightingale”, “Ode on a Grecian Urn”
15. kolokvij, seminarski rad

Ishodi učenja

1. Primijeniti književnokritičku aparaturu i temeljne spoznaje o književnostilskim formacijama u analizi i tumačenju poezija britanskoga romantizma.
2. U tekstovima poezije britanskoga romantizma prepoznati i objasniti elemente kulturnog, društvenog i povijesnog konteksta u zemljama engleskog govornog područja.
3. Izdvojiti najvažnije autore i djela te objasniti specifičnosti poezije britanskoga romantizma u književnostima engleskog govornog područja.
4. Napisati akademski argumentacijski tekst na temu poezije britanskoga romantizma prema uzusima akademskog diskursa.

Metode podučavanja

Metode ocjenjivanja

Obavezna literatura

1. Wu, Duncan. Romanticism: An Anthology (3rd edition) (Oxford: Blackwell, 2006)

Dopunska literatura

1. Abrams, M. H.: The Mirror and the Lamp: Romantic Theory and the Critical Tradition (London: Oxford UP, 1960)
2. Abrams, M. H.: Natural Supernaturalism: Tradition and Revolution in Romantic Literature (London: Oxford UP, 1971)
3. Ashfield, Andrew and Peter de Bolla. The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory (Cambridge and New York: Cambridge UP, 1996)
4. Bainbridge, Simon (ed.) Romanticism: A Sourcebook (New York: Palgrave Macmillan, 2008)
5. Bennett, Andrew: Romantic Poets and the Culture of Posterity (Cambridge UP, 1999)
6. Bloom, Harold: The Visionary Company: A Reading of English Romantic Poetry (London: Cornell UP, any edition)
7. Bone, Drummond: The Cambridge Companion to Byron (Cambridge UP, 2004) Bromwich, David: Disowned by Memory: Wordsworth’s Poetry of the 1790s (Chicago and London: The University of Chicago Press, 2000)
8. Butler, Marilyn: Romantics, Rebels and Reactionaries – English Literature and its Background 1760-1830 (Oxford, New York: Oxford UP, 1981)
9. Day, Aidan: Romanticism (London and New York: Routledge, 1996)
10. de Man, Paul: The Rhetoric of Romanticism (New York: Columbia UP, 1984)